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THE ANCIENT
ART OF THE ZAHORIES
by Dominique Susani & Ferran Blasco |
History
and Modern Research
The
"Art of the Zahories", also known as Druid Geomancy, is an energetic
art that harmonizes the energies of Earth and Sky, facilitating spiritual
development and regeneration of the human being. It is based on the idea
that each space, either for living, working or sacred purposes, has a
particular energetic constitution based on the interaction of the following
aspects:
Telluric influences: the earth is living organism that, as the
human body, has vessels. These vessels, mainly underground waters and
geological faults, carry the electromagnetism that its produced in the
center of the Earth by the friction between the inner core and the magma.
That manifests as a resonance that reaches the surface of the Earth and
beyond affecting either positively or negatively those who live right
above them.
Cosmic influences: as the energies that come from the cosmos lay down
on the Earth these create different types of geomagnetic networks and
its resonances (Peyre, curry, Hartmann nets… etc) that also affect
and direct the energetic currents on the surface.
Proportions: The proportions and relations of distribution of architectural
features (walls, entrances, doors, etc.) as well as for functional aspects
of the house of a place are the key factor for a harmonious flow of energy
in a place. They relate not only to the relations between sizes and dimension
but also to the latitude/longitude were the site is built, which is at
the same time related with the different astronomical landmarks of the
place itself.
Waveforms and vibrational frequencies of objects: each object has
a shape and a vibrational frequency, in relation to material, proportions,
intention with what it was made, etc… The result of this is that
each object projects a set of information that is carried thru the space
with more or less intensity depending on not only the object itself but,
more importantly, on where is located within the space in relation to
the cosmic and telluric influences.
In
ancient times, this way of relating to reality was a universal fact. All
ancient cultures used a similar system to find and develop houses, cities
and sacred places. Originally, Zahori Art was mainly used to find water,
the source for life, which made it extremely important for the survival
of our ancestors. They developed it to very sophisticated and refined
levels using just a simple olive tree branch, accomplishing often more
accurate results than today’s sophisticated technology. This art
kept evolving, reaching its golden age with the Druids of the Megalithic
culture. Those Druids perceived and utilized a very complex system of
energy patterns that permitted them to heal others, including the Earth,
by practicing the Art of the Stones, Menhirs and Dolmens. Recent research
about the memory of water, permits us to understand that those Druids
knew, among other things, the principles of how to affect the energetic
structure of the water. They accomplished this with Tolven stones using
the effect of Cavitary Resonance, an idea, later used to develop the homeopathy
principle.
Besides its pragmatic aspects, Zahori Art was a sacred art because it
allowed our ancestors to access deeper levels of awareness where spirit
and matter entered into communion. The ancient Druids, and their successors
the “Maîtres d’œuvres”, who built the churches
and cathedrals of the Middle Ages, had a perception of the world and the
universe based on intuition, sensation, experience and direct knowledge.
It was a comparative, geometric and analogical type of knowledge that
required to enter into direct communion and harmony with oneself and one's
environment. Only then it was possible to access the esoteric level, summarized
by later alchemists in the lemma V.I.T.R.I.O.L. (Visita Interiora Terrae,
Rectificando Invenies Occultum Lapidem) «explore the inside of the
Earth and refining you will find the hidden stone».
To
see the energetic configuration of a Romanesque Church
Until the beginnings of this century, in many places of Europe, India
and China, it was the task of Zahories to find water and to decide where
houses should be placed. Today, even though the art has been almost forgotten,
people who want to optimize their well being hires a Zahori-Geobiologist,
who in many cases could also be an architect and “maitre d’œuvre”,
to build or rearrange their houses with full awareness.
For the last 150 years, many scientists, physicists and doctors have been
exploring the influences of the environment on humans. Among the most
outstanding results are the findings of Dr. Hartmann from the University
of Biberach in Germany whose research suggested that approximately 70%
of all diseases are geopatic, i.e. due to cosmo telluric imbalances.
Now we are able to prove scientifically what the ancient druids of Europe
already knew thousands of years ago: geological faults, underground water
veins, covered wells, active geomagnetic networks, etc… deeply affect
the health of those who live, work or spent considerably time above them.
The effect of those aspects of the subsoil is especially damaging to the
endocrine system, which can lead to very dangerous diseases ranging from
chronic fatigue syndrome and leukemia to cancer. This applies by extension
also to plants and animals.
Methodology
for Diagnosis and Harmonization
The
methodology of Druid Geomancy is divided in three parts:
The first part, the detection using the body-antenna, is the preliminary
stage where the practitioner uses the body as a sensitive receptor to
scan the place in order to recognize the different energetic components
of the environment and the subsoil. By using the body as an antenna the
practitioner can precisely distinguish the vibrational rates, location
and depth of those elements - without the need for technology. With that
information, he or she diagnoses the origins of disharmonies and imbalances
or recognizes the beneficial aspects of the place. In this first stage,
tools like the pendulum and the dowsing rods are sometimes used, but the
basic tool of the Zahori is his or her body. Other tools are only used
at the beginning to help amplify the sensations of the body itself.
Example
of a home's blueprint after diagnosis
Once the place is understood on a basic level, the second part begins
with the study of the waveforms of the location. The understanding of
the individual influence of every object on the environment and how it
participates of those energies around it, allows the practitioner to understand
the energetic complexity of a house or place in order to determine which
method will be more appropriate to harmonize it. This understanding is
based on Natural Geometry, examples of which are combinations like the
rose windows of churches, the platonic solids, the yantras and the auricular
proportions.
The third part consists of the methods for harmonization. Druid Geomancy
uses several techniques for harmonizing, the oldest, and probably best
known, is the Art of the Stones. The Art of the Stones was the art practiced
by the builders of the megaliths and by the Druids of ancient times. It
includes the construction and placement of Menhirs, Dolmens, Cromlechs
and labyrinths, as well as the creation of energetic gardens and high
vibration meditation places. Other techniques used are harmonization with
waveforms and the projection and neutralization of energies with geometric
drawings and trisquels. They not only allow to energetically rearrange
the environment but also serve to energize food, to restructure the energetic
centers of the body, to practice acupuncture without needles, etc…
Among the more sophisticated techniques though are the ones where the
practitioner doesn’t use any tools or artifacts but only his or
her pure human energy, in conjunction with the energies of the Earth and
the Cosmos. This allows him or her to cut the pathogenic networks, to
create sacred networks and to establish personal energetic columns.

©
2001 - 2003 Zahori Art
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